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Gorodish and Alba drive Jules to a house outside Paris. Now in possession of the recording that incriminates Saporta, Gorodish uses it to blackmail him, commissaire Saporta pays off Gorodish, but places a remote control bomb under his car.
The Taiwanese blackmailers are also pursuing Gorodish and immediately steal the tape, Saporta sets off the explosion, inadvertently killing the two Taiwanese, but not Gorodish.
Gorodish drives away in a second Traction Avant that he had hidden in advance, later, Jules returns to Paris to give Cynthia his bootleg recording and lift the threat of blackmail from her 3. Persepolis film — Persepolis is a French-Iranian animated biographical drama film based on Marjane Satrapis autobiographical graphic novel of the same name. The film was written and directed by Satrapi with Vincent Paronnaud, the story follows a young girl as she comes of age against the backdrop of the Iranian Revolution.
The title is a reference to the city of Persepolis. The film was co-winner of the Jury Prize at the Cannes Film Festival and was released in France, in her acceptance speech, Satrapi said Although this film is universal, I wish to dedicate the prize to all Iranians.
At the airport, Marjane is unable to board a plane to Iran and she then takes a seat and smokes a cigarette. She reflects on her childhood, full of politically driven conflict, as a young girl, Marji lived in Tehran and wanted to be a prophet and a disciple of Bruce Lee. Her childhood ambition is the uprising against the Shah of Iran. Her middle-class family participates in all the rallies and protests, Marji and a group of friends attempt to attack a young boy named Ramen, whose father, a member of SAVAK, killed Communists for no particular reason.
One day, Marjis Uncle Anoush arrives to have dinner with the family after recently being released from his sentence in prison. Uncle Anoush inspires Marji with his stories of his life on the run from the government, political enemies cease fighting and elections for a new leading power commence. Marjis familys situation does not improve as they are upset when Islamic Fundamentalists win the elections with The government forces women to dress modestly, including wearing a head scarf, profoundly disillusioned, Marji tries, with her family, to fit into the reality of the intolerant regime.
The Iran-Iraq war breaks out and Marji sees for herself the horrors of death, the Iranian government begins implementing ridiculous laws that create blatant injustices. The family tries to find solace in secret parties where they enjoy simple pleasures the government has outlawed, as she grows up, Marji begins a life of over-confidence. Marji doesnt make any friends, and ultimately feels intolerably isolated in a foreign land surrounded by annoyingly superficial people who take their freedom for granted.
As the years go by, Marji is thrown out of her temporary shelter for insulting a nun and is driven out into the streets, Marji continues to go from house to house, until ending up in the house of Frau Dr. Schloss, a retired philosophy teacher 4. Some we give the good life, others we give it up the ass. And now, let's make a pause, here you have the premise; two babies switched at birth, how are you going to work on that?
Any lesser comedy would have gone to the obvious "Trading Places" format, and the film would have gone for cheap gags based on lousy comedy of contrasts between the rich and the poor people, overused at the expense of realism and common sense.
But Chatillez thinks realistically and doesn't go for the obvious to make the audience laugh, he cares for his characters a little more and that's the respect a director owes his audience.
So he asks the simple question: And why would a girl raised in wealth and comfort be transferred to a lesser standard of life? The film reveals its genius in one of its most famous shots. Momo Groseille, who should have been Maurice Duquesnois has just been told the truth, he's played by a young Benoit Magimel and he's obviously startled by the news, he looks at his family staring at him like the new outsider but then he recovers from the surprise and in the most deadpan and natural way, says that they can make money out of it.
I don't think I have enough kind words for her but she's a sweet and responsible mother who cares for her children, telling them that Momo was adopted not to upset Bernadette, who is the Groseilles' daughter.
The movie doesn't focus much on Bernadette except on some specially heartbreaking moments where she meets her family and when she tries to escape, the film tactfully tries not to make fun of all the situations and reckons the dramatic potential of the story. A similar moment occurs when Momo watches his mother in the bathroom. And he's like hypnotized, he feels in love, this is not a love of lust but of unconscious Oedipal attraction, and it's understandable as long as we accept that she's not supposed to be his mother, but the scene shows that Chatillez pushes his concept as far as he can as long as it feels real, which it does.
Chatillez makes a little rushed out third act concluding with a series of disjointed events showing that the experience changed the two families, there's a feeling of unfinished result that might disconcert the viewers, but after all, the story didn't have to have a proper ending, just like a long quiet river doesn't have to end somewhere 1 out of 1 found this helpful.
La baignade dans la Deûle (La vie est un long fleuve tranquille)
He did not want to work with actors who he feared would be egotistical. And timing is what the main plot is about, a Doctor dismisses his mistress also his nurse during his wife's funeral, indifferent to her cleavage delicately hidden behind black lace. I don't think I have enough kind words for her but she's a sweet and responsible mother who cares for her children, telling them that Momo was adopted not to upset Bernadette, who is the Groseilles' daughter. Was this review helpful?
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