Tegan and Sara's relationship might be tumultuous but their music proved Tegan Rain Quin was walking with her girlfriend through downtown LA As she recounts the story, her voice wobbles and her eyes fill with tears. Sara and Emy met each other in February in Montreal, Canada. Labels: dating, emy storey, faq, jenn, questions, rob, sara quin, ted. She says she and her girlfriend of five years, Stacy Reader, aren't . Working with their creative director (and Sara's ex-wife) Emy Storey, they.
Why did Sara Quin & Emy Storey broke up? :
Sara agreed to meet with Greg, and she claims within five minutes she was sold. This is her Con in a way, her very ripped-apart, analyzing record.
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But the act of conning somebody, or conning yourself, that whole thing was a catchphrase I was using. I think these songs on the record are under the umbrella of what a con represents. Prior to this, Storey, the artistic director for Tegan and Sara and a freelance graphic designer, bounced around on work visas.
With her permanent residency in place, the lovers now live together freely in Montreal. However, there's a lot of education that needs to be done. In a small way we are challenged by helping friends and colleagues unlearn sexist and homophobic behaviour they don't even know they have.
They don't struggle to be straightforward or silly. Their collective consciousness and craft evolves with each record, as The Con, borders on more ambiguous, artful terrain than their previous releases. Sara fondles with her relationship's fidelity on "I Was Married," while Tegan's intimate "Call It Off" flowed from being lovelorn, but both express harmonious vitality.
The band was on a break, I was single and had a significant amount of free time where I wasn't really obligated to do anything. I had a lot of emotions, feelings and reflecting to do.
We all moved into together, we had the director of our movie there. With regards to the NME, Sara points out that it wasn't just the review that upset them, but the way their team reacted, saying, "They're jerks, just ignore it. It's not just the targets of misogyny and homophobia that should be offended.
Everyone around us should be just as angry and horrified as we are — that behaviour lowers things for everybody. And apathy contributes to the problem.
I didn't know whether to cry or to bludgeon her. There is no accountability. It can be lonely out there. We've had people write, 'Oh, I love this record, but you just really want to fuck them.
It's just a different world that men and women live in. It's a more melancholy, contemplative pop affair than So Jealous, but overall the songs are stronger, with more emotionally complex themes and arrangements. Tegan is grappling with the end of a five-year relationship the wistful heartbreaker "Call It Off" , whereas Sara is coping with immigration issues with her partner and Tegan and Sara's creative director, Emy Storey the sweetly hopeful "I Was Married".
According to BuzzFeed , the twins are also grieving the death of their grandmother, who had helped raise them. Sara tells MTV that she "feels much more confident with the new album," that it's a more dynamic and cohesive effort than So Jealous. And for the most part, critics agree. But even reviews that are mostly positive still skew terribly weird, such as famed critic Robert Christgau's writing for Rolling Stone.
The album receives three-and-a-half stars, but begins: This may be why their uncommonly detailed love songs are so short on drama — a riddle worth pondering, because their keyboard-heavy, New Wave-ish music is also uncommonly catchy. Of course, The Con is chock full of drama, but aside from that, Tegan and Sara are songwriters. Not every song is specific to their lived experiences. And as musicians, as storytellers, all Christgau reveals in this review is the fact that he's always going to put "lesbian" before music.
Descriptions that are jarring, kind of desperate in a desire to be controversial or shocking or "funny" are not the exclusive domain of male rock critics. Pitchfork's review , written by Jessica Suarez, opens with "Tegan and Sara should no longer be mistaken for tampon rock, a comparison only fair because of the company they kept.
They are both strong advocates, for whom the political and personal cannot be separated. That's something Sara's wife, Storey, reflects on via a email interview with The Coast.
However, there's a lot of education that needs to be done. In a small way, we are challenged by helping friends and colleagues unlearn sexist and homophobic behaviour they don't even know they have. The newlyweds are separated by the time the Quins tour Europe that winter, "and I was totally alone for the first time in a long time," Sara tells BuzzFeed. There are three bus accidents during the tour, and on February 29 in Glasgow, the sisters have a physical fight.
Sara says they have hit "rock bottom. That was screaming, fighting, pushing, punching: I feel ashamed of how badly Tegan and I treated each other.
We were totally without the tools to get through what was happening to us. Previously, each had worked on their own songs and sent demos either via email, post office or leaving a package on the other's doorstep. The massive transition in their personal lives — endings and beginnings, upheaval and success, their own near implosion — is catalogued here. The inverse is true for her sister. This is her Con in a way, her very ripped-apart, analyzing record.
The album's urgency comes from an organic place, too, with Chris Walla back in the producer's seat, alongside Howard Redekopp, spurring Tegan and Sara into a sort-of disciplined, repetition-induced madness. He wanted the album to be more organic and collaborative, in the vein of their New Orleans experiment, retaining the intimacy of The Con but with an in-the-moment spark. He insisted Tegan and Sara play their demos with a band, live off the floor, plus times, letting them evolve into true-blue band songs.
Both twins coped differently. According to blog posts, it was common for Tegan to wear a bat mask and call herself 'Bategan. Sainthood's by far the most collaborative record we've ever done, and that's really exciting. It is also shortlisted for the Polaris Music Prize. These five years are also marked by other professional highs and lows together and apart.
That was exactly what we were looking for, we wanted to have an organic growth, we didn't want somebody to come in and style us up, and put us in the studio with really fancy producers and then not be ready to do it. I think that the best records are made when it's time to make them. The lead single, "Closer," is released in September, , four months before the album's release in January, , and is everywhere.
The twins are suddenly on stage performing their hit with Taylor Swift and opening up for Katy Perry. It's a massive reinvention that's been methodically in the works their whole careers. It's a testament to the people flooding towards us right now. You're on the countdown. You're the next song on the countdown. I'm experiencing the bewilderment of hearing our song next to One Direction! Like, cool, we're getting more radio spins.
But I don't actually experience it very often, but it happened and it was embarrassing to me. Try to sing in key. Yes, jump up and down.
Don't look like a weird, old blob next to Taylor Swift. Try to be cool. I think certainly with Neil and his manager, when they saw us, and we were just barely out of high school, and signed us to a little indie record deal, they saw the promise of songwriters.
That was their pitch when they were signing us. Elliot, who has managed Neil for decades, said, 'You know, what I see in you are songwriters and you have a voice that represents a part of your generation and you're going to make a connection with kids your age and as you grow older, your audience will grow with you and you'll be representing a lot of their stories and a lot of things that are going to happen in their lives and that's such a unique thing.
Taylor's a great songwriter, she really is, and I think that even though she's this massive pop star, I would argue with anybody that she's also one of the better songwriters today working in music and has that same ability to connect to a lot of of her peers and tell stories that people can draw parallels with. So to be recognized by both of those people, although they're entirely different, to be recognized by them for our songwriting abilities is such an honour.
On our first day in the studio [Heartthrob producer], Greg Kurstin spun around in his chair and said, 'I'm going to take each song to the edge. And then pull back a bit. When Tegan meets Kurstin, she tells The Quietus , she immediately calls Sara and says they, too, have to meet. I thought, why on earth have we limited ourselves to someone who's only worked on indie rock?